Sydney Sweeney brings her massive pumpkins to a new big screen adaptation of Washington Irving’s The Legend of Sleepy Hollow, written and directed by Lindsey Anderson Beer (Pet Sematary: Bloodlines) from her upcoming novel Hollow.

This time out, the story is told from the perspective of Ichabod Krane’s shady love interest Katrina Van Tassel, played by Sweeney, in what is described as dangerous mystery and supernatural love triangle with erotic themes and a gothic setting.

Sweeney is best known for HBO’s “Euphoria,” the chart-topping erotic thriller The Housemaid, stirring shit up with liberal media, and being part of the boob elite, the top one percent of women with enormous, beautiful, and natural breasts.

She made her big screen debut in John Carpenter’s The Ward, starring hot abusive psycho Amber Heard and Danielle Panabaker. Notable horror creds include the hidden gem Dead Ant, The Voyeurs (nudity!), Hulu’s “Handmaid’s Tale”, and Immaculate, where she played a big titty nun who aborts the son of God with a rock.

Sweeney is featured in Clatto’s esteemed list for Best Nude Acting In Horror – 2025.

A trailer has gone online for the 20th Century Studios man-vs-nature thriller Whalefall, in theaters Oct. 16. Directed and co-written by Brian Duffield (No One Will Save You), the film stars Elisabeth Shue as a hot mom whose son is swallowed up by a sperm whale while searching for hid father’s remains out at sea.

The movie is based on a bestselling novel by Daniel Kraus. Of course, the prophet Jonah tells a whale of a tale in the Bible that kinda defined the whole swallowed by a big fish genre—but, maybe, Shue will pop up in a bikini or get her shirt wet while looking for her son.

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Multi-award-winning porn star Lilly Bell (Prompt) returns to Full Moon Features as a vengeful AI-powered sex-bot in Robotica, a futuristic rape-revenge thriller directed by Full Moon founder Charles Band.

Robotica, played by Bell, is used and pimped by security staff at Pleasure Robotics, makers of companion dolls for people who’d rather get their freak on than ponder the boner-killing ethical dilemmas of owning hot fem-bots. It’s all sexy, violent fun until Robotica goes all Dolores Abernathy on everyone.

Bell made her debut with Full Moon with the AI erotic thriller Prompt, featured in Clatto’s esteemed list of The 10 Sexiest Horror Films of 2025.

Don’t miss our list of The 12 Hottest Porn Star Crossovers In Horror.

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British bombshell Kate Beckinsale (Underworld) has been tapped to star in Twilight of the Dead, the seventh and final installment in late horror master George A. Romero’s zombie series, spawned by the 1968 masterpiece Night of the Living Dead, which also includes the beloved sequels Dawn of the Dead and Day of the Dead.

Twilight of the Dead is based on a treatment Romero and his team were working on before his passing in 2017. “Walking Dead’s” Greg Nicotero, who cut his FX teeth on Romero’s Day of the Dead, will handle the film’s effects and makeup.

The story follows a hot MILF and her kid living on an island as the world’s only human survivors. Beckinsale replaces Milla Jovovich (Resident Evil), originally cast as the hot MILF. Beckinsale and Jovovich are both featured in Clatto’s archived list of The 10 Hottest Horror Babes of the Past Decade.

British babe Alice Eve’s boob game is strong in Chum, a new shark thriller from Redwire Pictures. Eve plays a bikini-clad MILF whose wedding party is taken hostage by a madman intent on using them as bait to capture a great white shark.

Eve debuted in horror in 2012 with roles in ATM and the Edgar Allan Poe-inspired thriller The Raven. She’s since starred in Men In Black 3, Star Trek Into Darkness, Replicas with Keanu Reeves, and Netflix series “Iron Fist.”

Chum arrives in theaters June 5.

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“Yellowjackets” standout Sophie Thatcher leads Her Private Hell, a serial killer drama marking director Nicolas Winding Refn first feature since The Neon Demon a decade ago, in theaters July 24 from Neon.

Thatcher stars as one of several hot actresses gathered at a luxurious hotel to shoot a Barberella-like film, while a lunatic dubbed Leather Man stalks and kills them.

Thatcher first won over horror fans playing a young Regan MacNeil in Fox’s criminally underrated and short lived sequel series “The Exorcist.” She co-starred in Disney’s terrible “Book of Bobba Fett, but finally found her breakthrough role as troubled, high school soccer player Natalie Scatorccio on Paramount + w/ Showtime’s “Yellowjackets.”

On the big screen, Thatcher made her debut opposite Pedro Pascal (“Last of Us”) in the sci-fi drama Prospect and starred in the 2023 adaptation of Stephen King’s Boogeyman, A24’s Heretic, and in the final chapter of Ti West’s porn psycho story MaXXXine. She shined brightest in last year’s sci-fi thriller Companion.

Oft-nude starlets Anne Hathaway (Love & Other Drugs) and Dakota Johnson (Fifty Shades of Grey) team up for Amazon MGM Studios’ erotic thriller Verity, an adaptation of Colleen Hoover’s naughty bestseller, arriving in theaters Oct. 2.

The film centers on a hot ghost writer (Johnson) hired to finish bestselling author Verity Crawford’s (Hathaway) latest book after she suffers a mysterious accident. While researching the project, she uncovers Verity’s manuscript, which details rough sex, masturbation, nipple sucking, cock sucking, and cum swallowing!

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Hathaway, who’s performed nude seven times in her storied career, has starred in a handful of notable genre flicks, including the 2008 underrated thriller Passengers, Tim Burton’s Alice In Wonderland, Chris Nolan’s Dark Knight Rises and Interstellar, Nacho Vigalondo’s Colossal, and Robert Zemeckis’ The Witches. She’ll next be seen in producer J.J. Abrams dinosaur thriller The End of Oak Street.

Unlike Hathaway, Johnson has gone nude in a couple of horror films: Wounds and Susperia. She is best known, of course, for starring in the mommy-porn franchise Fifty Shades of Grey.

Margaret Qualley (The Substance) will star in Smile director Parker Finn’s remake of Andrzej Żuławski’s Possession, a surreal 1981 psychological creature feature about a rotting relationship.

Qualley, daughter of Andie MacDowell, is best known for starring in HBO’s rapture drama “The Leftovers,” Quentin Tarantino’s Once Upon a Time In Hollywood, Yorgos Lanthimos’ Poor Things, and last year’s acclaimed body horror thriller The Substance, opposite Demi Moore.

Her crowning achievement also came in 2025 when she made Clatto’s celebrated list of The Best Nude Acting in Horror.

Warner Bros. Pictures and New Line Cinema have released a hardcore teaser for director Sébastien Vaniček’s Evil Dead Burn, the hotly anticipated new entry in the Evil Dead franchise, following Lee Cronin’s Evil Dead Rise.

Swedish gymnast turned actress Souheila Yacoub stars in the film as a woman visiting her in-laws for comfort after losing her husband to a car accident. Things get groovy when they stumble upon the Necronomicon.

Yacoub, who made her feature film debut in 2018’s erotic psychological thriller Climax, is best know for her role as Fremen warrior Shishakli in Denis Villeneuve’s sci-fi masterpiece Dune: Part Deux — Dune Harder.

Evil Dead Burn is the third standalone entry in the series. It arrives in theaters July 10.

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Madison Davenport, best known for battling vampires in Robert Rodriguez’s “From Dusk Till Dawn: The Series,” is now facing off against a new heavy in Hungry, a killer hippo thriller from writer and director James Nunn (Shark Bait) for Aura Entertainment.

Hungry stars Davenport as a hot chick who joins her friends on a boat tour through a Louisiana bayou—only to discover the waters are prowled by a hungry, hungry hippopotamus.

Davenport first captured our black hearts in El Rey’s small screen adaptation of From Dusk Till Dawn, playing hot preacher’s daughter Kate Fuller. She went on to co-star in HBO’s “Sharp Objects,” portraying a hot cheerleader with insight into the show’s murder mystery. On the big screen, she appeared opposite Jeffrey Dean Morgan (“Walking Dead”) in producer Sam Raimi’s Possession—based on the creepy Dibbuk Box internet urban legend brought to light in the 2004 Los Angeles Times piece “A Jinx in a Box.”

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